{"id":3439,"date":"2025-01-16T12:12:32","date_gmt":"2025-01-16T11:12:32","guid":{"rendered":"https:\/\/www.secolidimezzo.com\/non-categorizzato\/menander-comicus-fr-7\/"},"modified":"2025-07-23T23:45:40","modified_gmt":"2025-07-23T21:45:40","slug":"menander-comicus-fr-7","status":"publish","type":"post","link":"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/","title":{"rendered":"Menander Comicus fr. 7"},"content":{"rendered":"

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[Author]<\/strong> Menander (342-291 BC)<\/p>\n

[Work]<\/strong> Kitharist\u0113s<\/em>, fr. 7 Dardano (= vv. 102-117 K-S)<\/p>\n

[Place of work]<\/strong> Athens<\/p>\n

[Source]<\/strong> P.Oxy<\/em>. LXVIII 4642<\/p>\n

[Tipology]<\/strong>Comedy<\/p>\n

[Period]<\/strong> 350\u2013300 BC<\/p>\n<\/div>

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[Text]<\/strong><\/p><\/div>

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\n\u03ba]\u03b1\u03af \u03c0\u03c1\u0323\u03b1\u03b3\u0323\u03bc\u0323\u03b1\u03c4\u03bf\u03ba\u03bf\u03c0\u03b5\u1fd6 \u03a6\u03b1\u03bd\u03af\u03b1\u03c2 \u1f41 \u03b4\u03b9\u03b4\u03ac\u03c3\u0323[\u03ba\u03b1\u03bb\u03bf\u03c2.
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\n\u23d2 – ]\u00a0 \u0323\u00a0 \u0323\u03c4\u03bf\u0323\u03c2 \u1f21\u03bc\u1fd6\u03bd \u03b1\u1f51\u03c4\u0323\u1f78\u03bd \u03bf\u1f50\u0323 \u03c4\u0323\u03af\u0323\u03b8\u03b7\u0323\u03c3\u2019\u1f34\u03c3\u03bf\u03bd
\n\u03a6\u0391\u039d\u0399\u0391\u03a3 <\/strong>\u1f11\u03cc\u03c1\u03b1\u0323\u03ba\u03b1\u03c2;
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u03a0\u0391\u03a1\u039c\u0395\u039d\u03a9\u039d <\/strong>\u03b5\u1f36\u03b4\u03bf\u03bd.
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (\u03a6)<\/strong> \u1f66 \u03c0\u03bf\u03bb\u03c5\u0323\u03c4\u03af\u03bc\u03b7\u03c4\u03bf[\u03b9 \u03b8\u03b5\u03bf\u1f76 (5)
\n\u03ba\u03b1\u1f76 \u03c6[\u03af]\u03bb\u0323\u03c4\u03b1\u03c4\u03b5 \u0396\u03b5\u1fe6 \u03a3\u1ff6\u03c4\u03b5\u03c1, \u1f61\u03c2 \u03c0\u03bf\u03bb\u03bb\u1f74 \u03c7[\u03ac\u03c1\u03b9\u03c2
\n\u03c4\u1f76 \u03bf\u1f56\u03bd\u0323; \u1f51\u03b3\u03b9\u03b1\u03af\u03bd\u03bf\u03c5\u03c3\u03b9\u03bd \u03bc\u03ad\u03bd;
\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (\u03a0\u0391\u03a1)<\/strong> \u1f45\u03c3\u03b1 \u03b3\u2019\u03bf\u1f55\u03c4\u03c9\u03c2 [\u1f30\u03b4\u03b5\u1fd6\u03bd.
\n(\u03a6)<\/strong> \u03c4\u1f74\u03bd \u03b1\u1f30\u03c4\u03af\u03b1\u03bd \u03c4\u03af\u03bd\u2019\u1f14\u03bb\u03b5\u03b3\u03bf\u03bd \u03b5\u1f36\u03bd\u03b1\u03b9 [ – \u23d1 \u23d2\u00a0\u00a0\u00a0\u00a0 <\/strong>
\n\u03a0\u0391<\/strong>P<\/strong> \u03c4\u1f78 \u03c0\u03bb\u03bf\u0323\u1fd6\u03bf\u03bd \u03b5\u1f30\u03c2 \u039a\u03c1\u03ae\u0323\u03c4\u03b7\u03bd \u03ba\u03b1\u03c4\u03b5 \u0323[ – \u23d2 – \u23d1 \u23d2
\n\u1f10\u03ba\u03c1\u03af\u03b8\u03b7\u0323 [\u03c0\u03bf]\u03bb\u0323\u03ad\u0323\u03bc\u03b9\u0323\u03bf\u0323\u03bd \u03ba\u03b1\u1f76 \u03b4\u03b9\u03b5\u03bd\u03b5\u03b3[\u03ba (10)
\n\u23d2 – \u23d1 – ]\u03be\u03ad\u03bd\u03bf\u03c2 \u03c4\u03b9\u03c2\u0323 \u03b1\u03c5[\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>ca. 8\u00a0\u00a0\u00a0 ]\u03b5\u0323\u00a0 \u0323[
\n\u23d2 – \u23d1 \u03b7]\u03c7\u0323\u03b8\u03b7\u03c3\u03b1\u0323\u03bd \u03c0\u03c1\u03bf\u03b4\u03bf\u03c3\u03af\u03b1\u03c2 \u03b3\u0323\u03b5\u0323\u03bd\u03bf\u0323\u03bc\u0323[\u03ad\u03bd\u03b7\u03c2
\n\u23d2 – \u23d1 – ]\u00a0 \u0323\u03c3\u03bc\u2019\u1f10\u03c0\u03ad\u03c0\u03bb\u03b5\u03c5\u03c3\u03b5 \u03b3\u03ac\u03c1 \u03c4\u03b9\u03c2\u0323 [\u00a0 \u0323]\u00a0 \u0323[
\n\u23d2 – \u23d1 ]\u00a0 \u0323\u03bf\u1fe6\u03c4\u03bf\u03c2 \u03c0\u03ac\u03bb\u03b9\u03bd\u00a0 \u0323[
\n\u23d2 – \u23d1 ]\u1f24\u03ba\u03bf\u03c5\u03c3\u03b5\u03bd \u03b1\u0323\u00a0 \u0323[ (15)
\n\u23d2 – \u23d1 ]\u03b7\u03c3\u03b1\u0323\u03bd\u0323[
\n.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 .<\/strong><\/p>\n<\/div><\/div><\/div><\/div><\/div>

[Metrics]<\/strong><\/p><\/div>

Iambic trimeter<\/p>\n<\/div>

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[Critical apparatus]<\/strong><\/p><\/div>

Quis loquatur usque ad v. 4 incertum, tum colloquuntur Phania et Parmeno. 1 <\/strong>\u03b3\u03bb]\u03b1\u03c6\u03c5\u0323\u03c1\u0323\u03cc\u0323\u03c2 suppl. N\u00fcnlist | \u1f10\u03b3\u1f7c \u2019\u03bb\u0323[\u03b5\u03b3\u03bf\u03bd suppl. Handley ap. N\u00fcnlist coll. Dysk<\/em>. 172, 511, Mis<\/em>. 217 || 2<\/strong> \u03ba]\u03b1\u03af supplevi: \u03bd]\u03b1\u03af Handley ap. N\u00fcnlist | \u03c0\u03c1\u0323\u03b1\u03b3\u0323\u03bc\u0323\u03b1\u03c4\u03bf\u03ba\u03bf\u03c0\u03b5\u1fd6 N\u00fcnlist coll. Plb. XXIX 23,10 et XXXVIII 13,8 | \u03b4\u03b9\u03b4\u03ac\u03c3\u0323[\u03ba\u03b1\u03bb\u03bf\u03c2 suppl. N\u00fcnlist || 3<\/strong> suppl. N\u00fcnlist || 4<\/strong> ] \u0323 \u0323: \u1f45[\u03b8\u2019]\u03bf\u0323\u1f57\u0323\u03c4\u03bf\u03c2 fort. recte Austin, \u03c4[\u03bf\u03b9]\u03bf\u0323\u1fe6\u0323\u03c4\u03bf\u03c2 Rea ap. N\u00fcnlist, \u1f41\u0323 [\u03c0\u03bb]\u03bf\u0323\u1fe6\u0323\u03c4\u03bf\u03c2 N\u00fcnlist | \u03bf\u1f50\u0323 N\u00fcnlist, Austin: \u03bf\u1f57\u0323 Handley | \u03c4\u0323\u03af\u0323\u03b8\u03b7\u0323\u03c3\u2019 edd. | \u03b1\u1f51\u03c4\u1f78\u03bd Austin: \u03b1\u1f50\u03c4\u1f78\u03bd N\u00fcnlist || 5<\/strong> suppl. N\u00fcnlist || 6<\/strong> \u03c6[\u03af]\u03bb\u0323\u03c4\u03b1\u03c4\u03b5 N\u00fcnlist | \u03c7[\u03ac\u03c1\u03b9\u03c2 suppl. Obbink ap. N\u00fcnlist coll. X. Oec<\/em>. VIII 16 et Luc. DMeretr.<\/em> IX 1 || 7<\/strong> \u1f30\u03b4\u03b5\u1fd6\u03bd N\u00fcnlist || 8<\/strong> fin. \u03c4\u03bf\u1fe6 \u03c7\u03c1\u03cc\u03bd\u03bf\u03c5 fort. recte N\u00fcnlist, \u03c4\u1fc6\u03c2 \u03bc\u03bf\u03bd\u1fc6\u03c2 Austin, \u03c4\u03bf\u1fe6 \u03c0\u03ac\u03b8\u03bf\u03c5\u03c2 Handley ap. N\u00fcnlist || 9<\/strong> \u03ba\u03b1\u03c4\u03b5 \u0323[: \u03ba\u03b1\u03c4\u03b5\u03bd\u0323[\u03b5\u03c7\u03b8\u1f72\u03bd (tum e.g. \u1f51\u03c0\u2019\u1f00\u03bd\u03ad\u03bc\u03bf\u03c5 vel \u03b1\u1f50\u03c4\u03af\u03ba\u03b1) suppl. K-S fortasse recte, \u03ba\u03b1\u03c4\u03b5 \u03af\u0323[\u03c7\u03b5\u03c4\u2019 Handley prob. Austin qui fin. \u1f10\u03ba \u03b2\u03af\u03b1\u03c2 e.g. suppl. || 10<\/strong> \u1f10\u03ba\u03c1\u03af\u03b8\u03b7\u0323 [\u03c0\u03bf]\u03bb\u0323\u03ad\u0323\u03bc \u03b9\u0323\u03bf\u0323\u03bd N\u00fcnlist cf. Men Sik<\/em>. fr. 4,1 K-S, ad \u1f10\u03ba\u03c1\u03af\u0306\u03b8\u03b7 cf. E. Hec<\/em>. 644 | \u03b4\u03b9\u03b5\u03bd\u03ad\u03b3[\u03ba\u03b1\u03c4\u03bf conieci, \u03b4\u03b9\u03b5\u03bd\u03b5\u03b3[\u03ba\u03b5\u1fd6\u03bd \u03b4\u03b5\u03af\u03bd\u2019\u1f14\u03b4\u03b5\u03b9 Austin || 11<\/strong> \u03c4\u03b9\u03c2\u0323 \u03b1\u03c5[ dub. N\u00fcnlist qui etiam \u03c4\u03af \u1f41 \u03b1\u1f50[\u03c4\u03cc\u03c2 (lege \u03c4\u03af \u03b1\u1f51[\u03c4\u03cc\u03c2) tempt. || 12<\/strong> -\u03b7]\u03c7\u0323\u03b8\u03b7\u03c3\u03b1\u0323\u03bd: \u1f00\u03bd\u03ae]\u03c7\u03b8\u03b7\u03c3\u03b1\u03bd fort. recte N\u00fcnlist, sed etiam \u03ba\u03b1\u03c4\u03ae]\u03c7\u03b8\u03b7\u03c3\u03b1\u03bd possis, cf. Men. Sik<\/em>. fr. 4,1 K-S | \u03b3\u0323\u03b5\u0323\u03bd\u03bf\u0323\u03bc\u0323[\u03ad\u03bd\u03b7\u03c2 N\u00fcnlist, cf. Th. IV 52,3, V 116,3 || 13<\/strong> ] \u0323\u03c3\u03bc\u2019: \u1f04\u03ba\u03bf]\u03c5\u0323\u03c3\u03bc\u2019 (fort. de proditione?) temptavi || 14<\/strong> ] \u0323: ]\u03bd\u0323 \u03bf\u1f56\u03c4\u03bf\u03c2 N\u00fcnlist fort. recte, \u03c4\u03bf]\u03b9\u0323\u03bf\u1fe6\u03c4\u03bf\u03c2 tempt. K-S.<\/p>\n<\/div>

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[Translation]<\/strong><\/p><\/div>

?<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 This man is astute. Didn\u2019t I say so?<\/p>\n

And he is meddling, Phanias the teacher.<\/p>\n

Truly, one could expect anything at all<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 when <\/em>this one doesn\u2019t deem himself to be equal to us.<\/p>\n

Fania:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>Have you seen them?<\/p>\n

Parmenone:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>I have.<\/p>\n

Fania:<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 O most revered gods<\/em>, \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 5<\/p>\n

and my dearest Zeus Saviour, how much gratitude<\/em>!<\/p>\n

What then? Are they safe?<\/p>\n

Parmenone:\u00a0\u00a0 <\/strong>As far as I could see<\/em>.<\/p>\n

Fania:<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 What did they say the reason was for the delay<\/em>?<\/p>\n

Parmenone:\u00a0\u00a0 <\/strong>The ship headed down<\/em> towards Crete… \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10<\/p>\n

it was deemed hostile, and taken…<\/p>\n

… a foreigner…<\/p>\n

… after a betrayal had taken place…<\/p>\n

… someone then sailed off…<\/p>\n

… this man again…<\/p>\n

… heard…\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15<\/p>\n

…<\/p>\n<\/div>

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[Comment]<\/strong><\/p><\/div>

P.Oxy<\/em>. LXVIII 4642 gives us part of a dialogue between the comedy\u2019s main character, the kithara<\/em>-player Phanias, and his servant Parmenon. The scene belongs to a moment in the story that comes after the one depicted in the scenes from the other key witness to this comedy, P.Berol<\/em>. 9767. In that fragment, Phanias (this is the most likely identification of the main speaker of the scene) tells to a friend that he has been waiting a long time for a certain Greek woman (v. 39) and lives in fear that some misfortune may have befallen her during the sea voyage that was supposed to bring her from Ephesus to Athens. In the Oxyrhynchus fragment, on the other hand, the kithara<\/em>-player receives with great relief from Parmenon the news that at least two people very dear to him (as shown by the plural used in v. 7) have finally arrived safely in the city after a troubled sea journey: it is natural to think that the aforementioned Greek woman is among them.
\nThe first four lines of the Oxyrhynchus papyrus, however, must have been spoken by a third character whose identity remains unknown. These lines contain a harsh remark \u2014 though not entirely devoid of a certain admiration \u2014 about Phanias, who must have been present on stage and yet does not hear these lines. This may be an aside<\/em> or an eavesdropping aside<\/em> \u2014 that is, an aside spoken by a character hidden in order to eavesdrop on the dialogue that follows (cf. Bain 1977, pp. 105ff.).
\nLines 5\u20138, marked by rapid exchange between Phanias and Parmenon, are followed, starting from line 9, by Parmenon\u2019s account of the travelers\u2019 maritime adventures. The theme of sea voyages and their dangers \u2014 including shipwrecks, storms, and pirates \u2014 frequently appears in New Comedy, Latin comedy, and the Greek novel. The narrative unfolds quickly and concisely. The fragmentary state of the lower part of the papyrus does not allow for a precise reconstruction of Parmenon\u2019s story: a certain foreigner (v. 11), whose identity is unknown, plays some role in it. Key events in the narrative seem to include a judgment (v. 9) and a betrayal (v. 12). The situation described at the beginning of line 9 (cf. ad loc.) appears similar to that described in fr. 4 of the Sikyonioi<\/em>, which contains a reference to the procedure applied against a sailor who disembarked in a city that ends up considering him an enemy \u2014 something that seems to have also happened to the travelers in the Kitharist\u0113s<\/em>.<\/p>\n<\/div>

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[Reference Edition]<\/strong><\/p><\/div>

R. KASSEL – S. SCHR\u00d6DER, Poetae comici graeci<\/em>, VI.1: Menander. Dyskolos et fabulae quarum fragmenta in papyris membranisque servata sunt Dyskolos et fabulae quarum fragmenta in papyris membranisque servata sunt<\/em>, Berolini 2022; V. DARDANO, Menandro. Il Citarista. Edizione critica, traduzione e commento<\/em>, in press.<\/p>\n<\/div>

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[Essential Bibliography]<\/strong><\/p><\/div>

G. ARNOTT, Menander<\/em>, II, Cambridge 1996; D. BAIN, Actors and Audience. A Study of Asides and Related Conventions in Greek Drama <\/em>, Oxford 1977; A. BLANCHARD, M\u00e9nandre<\/em>, III: Le Laboureur; La Double Tromperie; Le Poignard; L\u2019Eunuque; L\u2019Inspir\u00e9e; Thrasyl\u00e9on; Le Carthaginois; <\/em>Le Cithariste<\/em>; Le Flatteur<\/em>; Les Femmes qui boivent la cigu\u00eb; La Leucadienne; Le Ha\u00ef; La P\u00e9rinthienne<\/em>, Paris 2016; R. N\u00dcNLIST, ‘Nr. 4642’, The Oxyrhynchus Papyri<\/em> 68, London 2003, 28-32.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Keywords]<\/strong><\/p><\/div>

Menander, Kitharist\u0113s, <\/em>comedy, Nea, <\/em>eavesdropper<\/em>, sea, travel<\/p>\n<\/div><\/div><\/div>

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[Valentina Dardano]<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[161],"tags":[],"class_list":["post-3439","post","type-post","status-publish","format-standard","hentry","category-theater"],"yoast_head":"\nMenander Comicus fr. 7 - Secoli di Mezzo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Menander Comicus fr. 7 - Secoli di Mezzo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\" \/>\n<meta property=\"og:site_name\" content=\"Secoli di Mezzo\" \/>\n<meta property=\"article:published_time\" content=\"2025-01-16T11:12:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-07-23T21:45:40+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"70 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/#\/schema\/person\/d7eb887d5c017f8de5c1e9a2dfe74c95\"},\"headline\":\"Menander Comicus fr. 7\",\"datePublished\":\"2025-01-16T11:12:32+00:00\",\"dateModified\":\"2025-07-23T21:45:40+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\"},\"wordCount\":13996,\"commentCount\":0,\"articleSection\":[\"Theater\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\",\"url\":\"https:\/\/www.secolidimezzo.com\/en\/teatro\/menander-comicus-fr-7\/\",\"name\":\"Menander Comicus fr. 7 - 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