{"id":1855,"date":"2024-10-28T16:03:40","date_gmt":"2024-10-28T15:03:40","guid":{"rendered":"https:\/\/www.secolidimezzo.com\/maps\/"},"modified":"2025-12-30T14:56:30","modified_gmt":"2025-12-30T13:56:30","slug":"maps","status":"publish","type":"page","link":"https:\/\/www.secolidimezzo.com\/en\/maps\/","title":{"rendered":"Maps"},"content":{"rendered":"

Maps<\/h1><\/h1><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div>

The maps are intended to highlight the main places of production or performance of Greek poetry and music in the 4th century BC, offering a visual representation of their dissemination and circulation.<\/p>\n

Clickable toponyms open short informational pop-ups linking places, people and events, referring to relevant ancient sources.<\/p>\n<\/div><\/div><\/div><\/div><\/div>

<\/span><\/div>

MUSICIANS AND POETS<\/p><\/h3><\/div>

The map highlights the places of origin of poets and musicians active in Greece in the 4th century BC, bringing out the most relevant contexts for the development of the poetic and musical forms of the time.<\/p>\n<\/div>

DISCOVER THE MAP<\/span><\/a><\/div><\/div><\/div>
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THE MUSICAL AGONS IN MACEDONIA<\/p><\/h3><\/div>

The map provides an overview of the agonistic contexts frequented by Philip II of Macedon, highlighting both the ruler’s participation in Hellenic contests in order to affirm his membership in the Greek lineage and his presidency of institutional festivals or the organization of new agonistic events for mediation or propaganda purposes.<\/p>\n<\/div>

DISCOVER THE MAP<\/span><\/a><\/div><\/div><\/div>
<\/span><\/div>

ALEXANDER THE GREAT AND THE SPREAD OF MUSICAL AGONISTICS<\/p><\/h3><\/div>

The map traces the itinerant route of the poetic-musical competitions promoted by Alexander the Great during his Asian expedition, which marked the beginning of the spread and multiplication of Greek agons, a phenomenon characteristic of the Hellenistic and later Roman ages.<\/p>\n<\/div>

DISCOVER THE MAP<\/span><\/a><\/div><\/div><\/div><\/div><\/div>
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