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Didactics<\/h1><\/h1><\/div><\/div><\/div><\/div><\/div>

To facilitate the usability of specialized research results, the team of researchers has prepared a bibliography, divided by topic, that redirects users to the most important studies and sites delving into the poetry and music of the 4th century B.C.<\/p>\n

The section is constantly being updated.<\/p>\n<\/div>

<\/div><\/div>

BIBLIOGRAPHY<\/p><\/h3><\/div><\/div><\/div><\/div><\/div>

[General Titles]<\/strong><\/p><\/div>

\u2013 ATKINSON, J.E., A Commentary on Q. Curtius Rufus\u2019 <\/em>Historiae Alexandri Magni. Books 3 and 4<\/em>, Amsterdam 1980.
\n\u2013 ATKINSON, J.E., Q. Curzio Rufo,<\/em> Storie di Alessandro Magno, vol. I (Libri III-V), traduzione di V. Antelami, Milano 20033 <\/sup>(19981<\/sup>).
\n\u2013 BADIAN, E., \u2018Greeks and Macedonians\u2019, in B. BARR-SHARRAR – E.N. BORZA (eds.), Macedonia and Greece in Late Classical and Early Hellenistic Times<\/em>, Washington 1982, 33-51.
\n\u2013 BARKER, A. (ed. and tr.), Greek Musical Writings<\/em>, Vol. I: The Musician and His Art<\/em>, Cambridge 1984.
\n\u2013 B\u00c9LIS, A., \u2018Mauvaise musique\u201a mauvaises m\u0153urs\u2019, in F. MALHOMME \u2013 A.-G. WERSINGER (edd.), Mousik\u00e8 et aret\u00e8: La musique et l\u2019\u00e9thique de l\u2019Antiquit\u00e9 \u00e0 l\u2019\u00e2ge moderne<\/em>, Paris 2007, 77-86.
\n\u2013 BURY, R.G., transl. by, Plato. <\/em>Laws<\/em>, Volume I: Books 1-6, Cambridge (Mass.) 1926.
\n\u2013<\/em> CARRI\u00c8RE, J.-C. \u2013<\/em> CUVIGNY, M. (eds), Plutarque, Oeuvres morales, Tome XI, 2e partie: Trait\u00e9s 52 et 53<\/em>, Pr\u00e9ceptes politiques<\/em> (Carri\u00e8re), Sur la monarchie, la d\u00e9mocratie, l\u2019oligarchie<\/em> (Cuvigny), Paris 1984.
\n\u2013 <\/em>COMOTTI, G. (saggio introduttivo di) \u2013 BALLERIO R. (trad. e note di), Plutarco. La musica <\/em>, Milano 2000.
\n\u2013 D\u2019ANGOUR, A., The Greeks and the New: Novelty in Ancient Greek Imagination and Experience<\/em>, Cambridge-New York 2011.
\n\u2013 DELATTRE, D. (\u00e9d.), Philod\u00e8me de Gadara. Sur la Musique. Livre IV<\/em>, Paris 2007.
\n\u2013 FOUCART, P., \u2018\u00c9tude sur Didymos d\u2019apr\u00e8s un papyrus de Berlin\u2019, in M\u00e9moires de l\u2019Institut national de France<\/em>, tome 38, 1\u1d49 partie, Paris 1909, 27-218.
\n\u2013 GERNET, L. (\u00e9d.), Antiphon. Discours<\/em>, Paris 1923 (repr. 1965).
\n\u2013 GOSTOLI, A. \u2013 ZIMMERMANN, B. (edd.), Nuove volute di versi. Poesia e musica nella commedia greca di V e IV sec. a. C., <\/em> G\u00f6ttingen 2022.
\n\u2013 HARDING, P. (<\/em>ed., trans.), Didymos<\/em>: On Demosthenes<\/em>, Oxford 2006.
\n\u2013 LELLI E. \u2013 PISANO G. (edd.), Plutarco. <\/em>Tutti i Moralia<\/em>, Milano 2017.
\n\u2013 LEVEN, P., The Many-Headed Muse. Tradition and Innovation in Late Classical Greek Lyric Poetry<\/em>, Cambridge 2014.
\n\u2013 MAIDMENT, K.J., On the Choreutes, Minor Attic Orators<\/em>, vol. I, Cambridge 1941-1954.
\n\u2013 MARI, M., Al di l\u00e0 dell\u2019Olimpo<\/em>, Atene 2002.
\n\u2013 MORETTI, L., Iscrizioni agonistiche greche<\/em>, 1953.
\n\u2013 OPPERMANN, H. (ed.), Aristotelis <\/em>\u1f08\u03b8\u03b7\u03bd\u03b1\u03af\u03c9\u03bd \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1, Leipzig 1928 (repr. 1968).
\n\u2013 RHODES, P.J., A Commentary on the Aristotelian <\/em>Athenaion Politeia, Oxford 1981.
\n\u2013 RIGINOS, A.S., \u2018The Wounding of Philip II of Macedon: Fact and Fabrication\u2019, JHS<\/em> 114, 1994, 103-119.
\n\u2013 ROCCONI, E., Le parole delle Muse: la formazione del lessico tecnico musicale nella Grecia antica<\/em>, Roma 2003.
\n\u2013 ROLFE, J.C., Quintus Curtius Rufus<\/em>, in two volumes, vol. I: Books I-V, Cambridge, Mass. USA 1946.
\n\u2013 VEGETTI, M. (trad. e comm.), Platone. La Repubblica<\/em>, Vol. II, libri II e III, Napoli 1998.
\n\u2013 VISCONTI, A., Aristosseno di Taranto: biografia e formazione spirituale, <\/em>Naples 1999.
\n\u2013 WEST, M.L., Ancient Greek Music,<\/em> Oxford 1992.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Elegy]<\/strong><\/p><\/div>

\u2013 BULTRIGHINI, U., \u201cMaledetta democrazia\u201d. Studi su Crizia<\/em>, Alessandria 1999.
\n\u2013 BURZACCHINI, G., \u2018Remarques sur quelques fragments \u00e9l\u00e9giaques de Critias\u2019, in J. Ivonneau (ed.), La Muse au long couteau. Critias, de la cr\u00e9ation litt\u00e9raire au terrorisme d\u2019\u00e9tat<\/em>, Bordeaux 2018, 35-59.
\n\u2013 CADIOU, R., \u2018Critias \u00e9l\u00e9giaque\u2019, BAGB<\/em> 1, 1966, 121-123.
\n\u2013 COMOTTI, G.,\u00a0\u2018L\u2019endecacordo di Ione di Chio\u2019,\u00a0QUCC<\/em>\u00a013, 1972, 54-61.
\n\u2013 CONDELLO, F., \u2018Sul sigillo di Crizia (fr. 5 W.2 = 3 Gent.-Pr.2), QS<\/em> 38\/76, 2012, 165-185.
\n\u2013 CONZE, A., Die attischen Grabreliefs<\/em>, Band III, Tafel 278 n. 1323, Berlin 1906.
\n\u2013 FLOWER SMITH, K., ‘Some Irregular Forms of the Elegiac Distich‘<\/em>, AJPh<\/em> 22.2, 1901, 165-194.
\n\u2013 FONGONI,\u00a0A., \u2018Influenze del \u2018Nuovo Ditirambo\u2019 sull\u2019elegia di V-IV secolo a.C.: Ion fr. 1 Gent.-Pr. (= 89 Leurini)\u2019,\u00a0ARF<\/em>\u00a016, 2014, 121-131.
\n\u2013 GARZYA, A., \u2018Osservazioni sulla lingua di Crizia\u2019, Emerita<\/em> 20, 1952, 402-412.
\n\u2013 GENTILI, B. \u2013 PRATO, C. (edd.), Poetae Elegiaci. Testimonia et fragmenta. Pars altera<\/em>, Monachii et Lipsiae 20022<\/sup>.
\n\u2013 GERBER, D.E., Greek Elegiac Poetry<\/em>, II, Cambridge (Mass.)-London 1999.
\n\u2013 HANSEN, P.A. (ed.), Carmina Epigraphica Graeca saeculi IV a. Chr. n<\/em>. (CEG II), Berolini et Novi Eboraci 1989.
\n\u2013 IANNUCCI, A., La parola e l\u2019azione. I frammenti simposiali di Crizia<\/em>, Bologna 2002.
\n\u2013 IANNUCCI, A., \u2018Una \u201ccorona di giambi\u201d. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia\u2019, SemRom<\/em> 6, 2003, 31-42
\n\u2013 LAPINI, W., \u2018I frammenti alcibiadei di Crizia: Crizia amico di Alcibiade?\u2019, Prometheus<\/em> 21, 1995, 1-14 e 111-130.
\n\u2013 LEURINI, A. (ed.), Ion Chius. Testimonia et fragmenta<\/em>, Amsterdam 20002<\/sup>.
\n\u2013 LEVIN,\u00a0F.R., \u2018The Hendecachord of Ion of Chios\u2019,\u00a0TAPA<\/em>\u00a092, 1961, 295-307.
\n\u2013 NICOLOSI, A., \u2018La poesia delle origini e il desiderio di restaurazione politica: l\u2019elegia di Crizia tra tradizione letteraria e contemporaneit\u00e0\u2019, RCCM<\/em> 66\/2, 2024, 457-464.
\n\u2013 REINACH, Th., \u2018Un fragment d\u2019Ion de Chios\u2019,\u00a0REG<\/em>\u00a014, 1901, 8-19.
\n\u2013 SASSI, M.M., ‘Riflessione filosofica e ideologia funeraria: la stele di Aristocle’, DArch.<\/em> 1, 1981, 33-40.
\n\u2013 TULLI, M., \u2018La \u03c3\u03c6\u03c1\u03b1\u03b3\u03af\u03c2 di Crizia\u2019, QUCC<\/em> 19, 1985, 189-195
\n\u2013 VALERIO, F. (ed.), Ione di Chio. Frammenti elegiaci e melici<\/em>, Bologna 2013.
\n\u2013 V\u00c9RILHAC, A.-M., \u03a0\u03b1\u1fd6\u03b4\u03b5\u03c2 \u1f04\u03c9\u03c1\u03bf\u03b9. Po\u00e9sie fun\u00e9raire<\/em> 1, Textes, n. 108, Ath\u00e8nes 1978.
\n\u2013 WESOLY, M.,\u00a0\u2018\u00abLira dalle undici corde\u00bb: per l\u2019interpretazione del fr. 5 G.-P. di Ione di Chio\u2019,\u00a0AIONFilol<\/em>. 12, 1990, 89-98;
\n\u2013 WEST, M.L. (ed.), Iambi et Elegi Graeci ante Alexandrum cantati. Editio altera atque emendata<\/em>, II, Oxonii 19982<\/sup>.
\n\u2013 VON WILAMOWITZ-MOELLENDORFF,\u00a0U., \u2018Lesefruechte\u2019,\u00a0Hermes<\/em>\u00a037, 1902, 302-314.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Lyric Poetry]<\/strong><\/p><\/div>

\u2013 ANGI\u00d2, F., \u2018Nota su alcuni epiteti del delfino nella poesia greca\u2019, Myrtia<\/em> 28, 2013, 57-68.
\n\u2013 BERLINZANI, F., \u2018Teleste di Selinunte il Ditirambografo\u2019, Aristonothos<\/em> 2, 2008, 109-140.
\n\u2013 BODENSTEINER, E., \u2018\u00dcber coregische Weihinschriften\u2019, in Commentationes philologicae conventui philologorum Monachii congregatorum oblatae<\/em>, 1891, 38-92.
\n\u2013 BOTTIN, C., \u2018\u00c9tude sur la chor\u00e9gie dithyrambique en Attique jusqu\u2019\u00e0 l\u2019\u00e9poque de D\u00e9m\u00e9trius de Phal\u00e8re (308 avant J.-C.)\u2019, Rev. Belg. Philol. Hist. <\/em> 9.3-4, 1930, 749-782.
\n\u2013 CAMPBELL, D.A. (ed. and tr.), Greek Lyric. Vol. 5: The New School of Poetry and Anonymous Songs and Hymns <\/em>, Cambridge, MA 1993.
\n\u2013 CARRARA P., \u2018Poliido di Selimbria. Qualche precisazione sulla sua opera\u2019, Prometheus<\/em> 46, 2020, 115-116.
\n\u2013 DELLA BONA, M.E., \u2018L\u2019allestimento dei cori negli agoni ateniesi tra V e IV secolo: l\u2019esempio delle Targelie\u2019, FAEM<\/em> n.s. 6.2, 2024, 63-95.
\n\u2013 ERCOLES, M., \u2018L\u2019inno a Poseidone attribuito ad Arione (PMG 939)\u2019, Paideia<\/em> 64, 2009, 303-368.
\n\u2013 FONGONI, A. (ed.), Filoxeni Cytherii. <\/em>Testimonia et fragmenta<\/em>, Pisa-Roma 2014.
\n\u2013 GOSTOLI, A. (ed.), Terpander<\/em>, Romae 1990.
\n\u2013 HORDERN, J.H., The Fragments of Timotheus of Miletus<\/em>, Oxford 2002.
\n\u2013 IERAN\u00d2, G., Il ditirambo di Dioniso. Le testimonianze antiche<\/em>, Pisa-Roma 1997.
\n\u2013 IERAN\u00d2, G., \u2018\u201cOne who is Fought over by all the Tribes\u201d: The Dithyrambic Poet and the City of Athens\u2019, in B. Kowalzig-P. Wilson (eds.) Dithyramb in Context<\/em>, Oxford, 2013, 368-386.
\n\u2013 LE VEN, P., \u2018Timotheus\u2019 Eleven Strings: A New Approach (PMG<\/em> 791.229-236)\u2019, CPh<\/em> 106, 2011, 245-254.
\n\u2013 PAGE, D.L. (ed.), Poetae Melici Graeci,<\/em> Oxford 19834<\/sup>.
\n\u2013 POWER, T., \u2018Kyklops kitharoidos<\/em>. Dithyramb and Nomos in Play\u2019, in P. WILSON \u2013 B. KOWALZIG (edd.), Dithyramb in Context,<\/em> Oxford 2013, 237-256.
\n\u2013 PRITCHARD, D.M., \u2018Kleisthenes, Participation, and the Dithyrambic Contests of Late Archaic and Classical Athens\u2019, Phoenix <\/em>58.3-4, 208-228.
\n\u2013 PRIVITERA, G.A., \u2018Il ditirambo fino al IV secolo\u2019, in AA.VV., Storia e civilt\u00e0 dei Greci<\/em>, vol. 5, Milano 1979, 311-325.
\n\u2013 VON WILAMOWITZ-MOELLENDORFF, U. (ed.), Timotheos. Die Perser <\/em>, Leipzig 1903.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Theater]<\/strong><\/p><\/div>

– ALBINI, U., \u2018Teatralit\u00e0 del Reso<\/em>\u2019, PdP<\/em>\u00a0269, 1993, 81-87.
\n– AMOUROUX, I., Antiphane et les themes de la comedie moyenne<\/em>, Th\u00e8se de doctorat, Universit\u00e9 Paul-Val\u00e9ry-Montpellier 1995.
\n– APOSTOLAKIS, K., Timocles. <\/em>Introduction, Translation, Commentary<\/em>, Fragmenta Comica<\/em> 21, G\u00f6ttingen 2019.
\n– ARNOTT, W., G. Menander<\/em>, II, Cambridge, MA 1996.
\n– AUSTIN, C., Menander: Eleven Plays<\/em>, Cambridge 2013.
\n– BERNAYS, J., \u2018Timokles und Lessing\u2019, RhM <\/em>34, 1879, 615-616.
\n– BIANCO, O., ‘<\/em>Il frammento della \u03a0\u03bf\u1f77\u03b7\u03c3\u03b9\u03c2 di Antifane ed un prologo anonimo’, RCCM<\/em> 3, 1961, 91-98.
\n– BLANCHARD, A., M\u00e9nandre<\/em>, III: Le Laboureur; La Double Tromperie; Le Poignard; L\u2019Eunuque; L\u2019Inspir\u00e9e; Thrasyl\u00e9on; Le Carthaginois; Le Cithariste; Le Flatteur; Les Femmes qui boivent la cigu\u00eb; La Leucadienne; Le Ha\u00ef; La P\u00e9rinthienne<\/em>, Paris 2016.
\n– CSAPO, E. – SLATER, W.J., The Context of Ancient Drama<\/em>, Ann-Arbor-Michigan 1995.
\n– BURLANDO, A., Reso: i problemi, la scena<\/em>, Genova 1997.
\n–\u00a0CSAPO, E. \u2013<\/em> WILSON, P., A Social and Economic History of the Theatre to 300 BC. Vol. II. Theatre beyond Athens: Documents with Translation and Commentary<\/em>, Cambridge 2020.
\n– DEL CORNO, D., ‘Come si deve fare una commedia: programmi e polemiche nel teatro Ateniese’, in F. CONCA (ed.), Ricordando Raffaele Cantarella: miscellanea di studi<\/em>, Quaderni di Acme<\/em> 36, Bologna 1999, 119-133.
\n– DIGGLE, J. Euripidis fabulae<\/em>, III, Oxonii 1994.
\n– DOBROV, G.W. – URIOS-APARISI, E., ‘The Maculate Music: Pherecrates and Comedy’s Evolving Response to the Dithyramb’,<\/em> in G.W. DOBROV (ed.), Beyond Aristophanes. Transition and Diversity in Greek Comedy<\/em>, Atlanta 1995, 164-174.
\n– DONELAN, J.L., \u2018Some Remarks Concerning Night Scenes on the Classical Greek Stage\u2019, Mnemosyne<\/em>\u00a067, 2014, 535-553.
\n– FANTUZZI, M., \u2018Sulla scenografia dell\u2019ora (e del luogo) nella tragedia greca\u2019, MD<\/em>\u00a024, 1990, 9-30.
\n– FANTUZZI, M., The Rhesus Attributed to Euripides<\/em>, Cambridge 2020.
\n– FEICKERT,\u00a0A., Euripidis Rhesus<\/em>, Frankfurt am Main 2005.
\n– FRANCHINI, E., Krapataloi-Pseudherakles (frr. 85-163) \/ Ferecrate. Introduzione, traduzione, commento, con la collaborazione di Michele Napolitano (fr. 155)<\/em>, G\u00f6ttingen 2020.
\n– FRIES, A., Pseudo-Euripides, Rhesus<\/em>, Berlin-Boston 2014.
\n– GIANNOU, T., \u2018Theatre and Music in Classical and Hellenistic Macedonia\u2019, Logeion <\/em>6, 2016, 30-92.
\n– GOMME, A.W. – SANDBACH, F.H., Menander. A Commentary<\/em>, Oxford 1973.
\n– HALLIWELL, S., \u2018Learning from Suffering: Ancient Responses to Tragedy\u2019, in J. Gregory (ed.), A Companion to Greek Tragedy<\/em>, Malden (Mass.) 2005, 394-412.
\n– HANINK, J., ‘<\/em>Literary Evidence for New Tragic Production: The View from the Fourth Century’, in E. CSAPO – H.R. GOETTE – J.R. GREEN – P. WILSON (eds.), Greek Theatre in the Fourth Century B.C.<\/em>, Berlin-Boston 2014, 189-206.
\n– JOUAN, F., Euripide, Rh\u00e9sos<\/em>, Paris 2004.
\n– KASSEL, R., Untersuchungen zur griechischen und r\u00f6mischen Konsolationsliteratur, <\/em>M\u00fcnchen 1958.
\n– KASSEL, R. –\u00a0 AUSTIN, C., Poetae Comici Graeci<\/em>, VII: Menecrates-Xenophon<\/em>, Berolini-Novi Eboraci 1989.
\n– KASSEL, R. – AUSTIN, C., Poetae Comici Graeci, <\/em>II: Agathenor-Aristonymus<\/em>, Berolini-Novi Eboraci 1991.
\n– KONSTANTAKOS, I.M., ‘This Craft of Comic Verse: Greek Comic Poets on Comedy’, Archaiognosia<\/em> 12, 2004, 11-53.
\n– KOVACS, D., Euripides<\/span><\/em>.\u00a0Bacchae. Iphigenia at Aulis. Rhesus,<\/i> Cambridge, MA 2003.
\n– LIAPIS, V., A Commentary to the Rhesus Attributed to Euripides<\/em>, Oxford 2012.
\n– MARTINA, A., Menandrea. Elementi e strutture della commedia di Menandro<\/em>, III, Pisa-Roma 2016.
\n– NAVARRO MART\u00cdNEZ, V.L.,\u00a0 ‘Comedia vs. Tragedia: el fragmento 189 K.-A. de Ant\u00edfanes y la banalizaci\u00f3n del g\u00e9nero tr\u00e1gico’,<\/em> in M.F. SILVA – M.C. FIALHO – J.L. BRAND\u00c3O (edd.), O Livro do Tempo: Escritas e reescritas. Teatro Greco-Latino e a sua recep\u00e7\u00e3o<\/em>, I, Coimbra 2016, 245-256.
\n– N\u00dcNLIST, R., ‘Nr. 4642’, The Oxyrhynchus Papyri<\/em> 68, 2003, 28-32.
\n– OLSON, S.D., Broken Laughter: Select Fragments of Greek Comedy.<\/em> Edited with Introduction, Commentary, and Translation<\/em>, Oxford 2007.
\n– OLSON, S.D., Antiphanes. Zakynthios-Progonoi. Translation and Commentary, Fragmenta Comica<\/em> 19.2, G\u00f6ttingen 2022.
\n– ORNAGHI, M., \u2018Paradigmi condivisi o coincidenze tragiche?: Il fr. 6 K.-A. di Timocle e la Poetica <\/em>di Aristotele\u2019, GIF<\/em> 72, 2020, 87-110.
\n– PICKARD, A.W. – CAMBRIDGE, M.A, Le feste drammatiche di Atene<\/em>, trad. it. di A. Blasina, Firenze 1996.
\n– POHLENZ, M. \u2018Die Anf\u00e4nge der griechischen Poetik\u2019, NGG<\/em>, 1920, 142-178.
\n– RECCHIA, M., ‘Beffeggiare il musicista: auleti e citarodi di V-IV secolo nella commedia attica’, in A. GOSTOLI – B. ZIMMERMANN (edd.), Nuove volute di versi: poesia e musica nella commedia greca di V e IV secolo a. C.<\/em>, G\u00f6ttingen 2022, 173-198.
\n– REINHARDT, U., Mythologische Beispiele in der Neuen Kom\u00f6die (Menander, Plautus, Terenz)<\/em>, I, Diss. Mainz 1974.
\n– RITCHIE, W., The Authenticity of the <\/em>Rhesus of Euripides<\/em>, Cambridge 1964.
\n– ROSEN, R.M., \u2018Timocles\u2019 fr. 6 K-A and the Parody of Greek Literary Theory\u2019, in C.W. Marshall, G. Kovacs (edd.), No Laughing Matter: Studies in Athenian Comedy<\/em>, London 2012, 177-186.
\n– ROSTAGNI, A., ‘Da Aristofane e da Antifane ad Aristotele’, in Studi in onore di Gino Funaioli<\/em>, Roma 1955, 60-75.- SANCHIS LLOPIS, J.L., <\/em>‘Testimonios pol\u00e9micos de la tragedia postcl\u00e1sica en la comedia del s. IV a. C.’, in\u00a0Primeras Jornadas <\/em>Internacionales de Teatro Griego<\/em>, Valencia 1995, 75-90.
\n–\u00a0 STEPHANES, I.E., Dionysiakoi technitai<\/em>, Herakleio 1988.
\n– WILSON, P., The Athenian Institution of the <\/em>Khoregia, Cambridge 2000.
\n– WILSON, P., The Greek Theatre and Festivals: Documentary Studies<\/em>, New York 2007.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Continuities and transformations of musical communication]<\/strong><\/p><\/div>

\u2013 B\u00c9LIS, A.,\u2018Un papyrus musical in\u00e9dit au Louvre\u2019, CRAI<\/em> 148\/3, 2004, 1305-1329.
\n\u2013 BORTHWICK, E.K, ‘Some Problems in Musical Terminology’, CQ<\/em> 17, 1967, 145-157.
\n\u2013 CSAPO, E., \u2018The Politics of the New Music\u2019, in P. MURRAY \u2013 P. WILSON (edd.), Music and the Muses: The Culture of <\/em>Mousike in the Classical Athenian City<\/em>, Oxford 2004, 207-248.
\n\u2013 D\u2019ANGOUR, A., \u2018\u201cOld\u201d and \u201cNew\u201d Music. The Ideology of Mousik\u0113\u2019, in T.A.C. LYNCH \u2013 E. ROCCONI (edd.), A Companion to Ancient Greek and Roman Music<\/em>, Newark 2020, 409-420.
\n\u2013 ERCOLES, M., \u2018 \u2018Nuova Musica\u2019 e agoni poetici. Il dibattito sulla musica nell\u2019Atene classica\u2019, in A. GOSTOLI (ed.), Poeti in agone: competizioni poetiche e musicali nella Grecia antica<\/em>, Turnhout 2017, 131-162.
\n\u2013 GASTALDI, S., La \u00abteatrocrazia\u00bb: cattiva educazione e degenerazione politica nelle \u201c<\/em>Leggi\u201d di Platone<\/em>, in Filosofia e politica: studi in onore di Girolamo Cotroneo<\/em>, G. FURNARI LUVAR\u00c0 (ed.), Soveria Mannelli 2005, 159-171.
\n\u2013 GIANI, M., ‘\u00abScala musica\u00bb. Vicende di una metafora’, in F. NICOLODI \u2013 P. TROVATO (edd.), Le parole della musica<\/em>, III, Firenze 1994, 31-48.
\n\u2013 HADJIMICHAEL, T.A., \u2018On Kinesias\u2019 Musicopoetic Paranomia<\/em>\u2019, GRMS<\/em> 7\/2, 2019, 284-307.
\n\u2013 LEVEN, P., \u2018Musical Crisis: Representing Competition and Musical Judgment in Anecdotes\u2019, Rudiae<\/em> 22-23, 2010-2011, 679-692.
\n\u2013 MAAS, M., ‘Polychordia and the Fourth-Century Greek Lyre’, The Journal of Musicology<\/em> 10, 1992, 74-88.
\n\u2013 MARTINELLI, M.C., \u2018Una nuova Medea in musica: P.Louvre<\/em> inv. E 10534 e la Medea<\/em> di Carcino\u2019, in M.S. CELENTANO (ed.), Ricerche di metrica e musica greca per Roberto Pretagostini<\/em>, Alessandria 2016, 61-76.
\n\u2013 POWER, T., \u2018Ion of Chios and the Politics of Polychordia<\/em>\u2019, in V.J. JENNINGS \u2013 A.K. KATSAROS (edd.), The World of Ion of Chios<\/em>, Leiden-Boston 2007, 179-205.
\n\u2013 RAFFA, M., \u2018Suonare la parola, pronunciare la melodia: l\u2019aul\u00f3s<\/em> come \u2018doppio\u2019 strumentale\u2019, Il Saggiatore musicale <\/em>15\/2, 2008, 175-197.
\n\u2013 RESTANI, D., \u2018Il Chirone<\/em> di Ferecrate e la \u2018nuova\u2019 musica greca\u2019, Rivista Italiana di Musicologia<\/em> 18\/2, 1983, 139-192.
\n\u2013 ROCCONI, E.,’Terminologia dello \u2018spazio sonoro\u2019 negli Elementa Harmonica<\/em> di Aristosseno di Taranto’, QUCC<\/em> n.s. 61, 1999, 93-103.
\n\u2013 WEBSTER, T.B.L., \u2018Fourth Century Tragedy and the Poets\u2019, Hermes<\/em> 82, 1954, 294-308.
\n\u2013 WEST, M.L., ‘Analecta Musica’, ZPE<\/em> 192, 1992, 23-28.
\n\u2013 WEST, M.L., \u2018A New Musical Papyrus: Carcinus, Medea<\/em>\u2019, ZPE<\/em> 161, 2007, 1-10.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>

[Poetic-musical agons]<\/strong><\/p><\/div>

\u2013 AMANDRY, P., \u2018Tr\u00e9pieds d\u2019Athenes: I. Dionysies\u2019, BCH<\/em> 100, 1977, 15-93.
\n\u2013 AMANDRY, P., \u2018Tr\u00e9pieds d\u2019Athenes: II. Tharg\u00e9lies\u2019, BCH<\/em> 101, 1977, 165-202.
\n\u2013 BARRON, J. P., \u2018The Fifth-Century Horoi of Aigina\u2019, JHS<\/em> 103, 1983, 1-12.
\n\u2013 BLOEDOW, E. F., \u2018The Significance of the Greek Athletes and Artists at Memphis in Alexander\u2019s Strategy after the Battle of Issus\u2019, QUCC<\/em> 59.2, 1998, 129-142.
\n\u2013 BOSWORTH, A. B. , \u2018Alexander and Ammon\u2019, in K. H. Kinzl (ed.), Greece and the Eastern Mediterranean in Ancient History and Prehistory<\/em>. Studies Presented to Fritz Schachermeyr on the Occasion of His Eightieth Birthday,<\/em> Berlin-New York 1977, 51-75.
\n\u2013 COLLINS, A., \u2018Alexander’s Visit to Siwah: A New Analysis\u2019, Phoenix<\/em> 68\/1-2, 2014, 62-77.
\n\u2013 CSAPO, E. – WILSON, P., A social and economic history of the theatre to 300 BC. Vol. II. Theatre beyond Athens: documents with translation and commentary<\/em>. Cambridge 2020;\u00a0\u00a0\u2013 DAVIES, J.K., Athenian Propertied Families. 600-300 BC<\/em>, Oxford 1971.
\n\u2013 DAVIES, J. K., Athenian Propertied Families. 600-300 BC<\/em>, Oxford 1971.
\n\u2013 DUNKLE, R., \u2018Overview of Roman Spectacle\u2019, in P. Christesen – D.G. Kyle (edd.), A Companion to Sport and Spectacle in Greek and Roman Antiquity<\/em>, Chichester, UK 2014, 381-394.
\n\u2013 FAURE, P., La vita quotidiana degli eserciti di Alessandro Magno<\/em>, Milano 1993 (ed. or. 1982).
\n\u2013 HAMMOND, N. G. L., The Macedonian State. <\/em>The Origins, Institutions and History<\/em>, Oxford 1989.
\n\u2013 IERAN\u00d2, G., Il ditirambo di Dioniso. <\/em>Le testimonianze antiche<\/em>, Pisa-Roma 1997.
\n\u2013 LE GUEN, B., \u2018Theatre, Religion and Politics at Alexander\u2019s Travelling Royal Court\u2019, in Great Theatre in the Fourth Century B.C.<\/em>, ed. by E. Csapo, H. Rupprecht Goette, J. R. Green, P. Wilson, Berlin \u2013 Boston 2014, 249-274.
\n\u2013 LEWIS, D.M., \u2018Notes on Attic Inscriptions (II): XXIII. Who Was Lysistrata?\u2019, BSA<\/em> 50, 1955, 1-36.
\n\u2013 LEWIS, D. M., \u2018The Dedication of Aristokrates\u2019, JHS<\/em> 84, 1964, 156-157.
\n\u2013 LINDSAY ADAMS, W., \u2018Other People’s Games: The Olympics, Macedonia<\/em> and Greek Athletics\u2019, Journal of Sport History<\/em>, 30.2, 2003, 205-217.
\n\u2013 LINDSAY ADAMS, W., \u2018Sport Spectacle and Society in Ancient Macedonia\u2019, in A Companion to Sport and Spectacle in Greek and Roman Antiquity<\/em>, ed. by P. Christesen and D. G. Kyle, Chichester, UK 2014, 332-345.
\n\u2013 MARI, M., \u2018Le Olimpie macedoni di Dion tra Archelao e l\u2019et\u00e0 romana\u2019, RFIC<\/em> 126, 1998, pp. 137-169.
\n\u2013 MARI,\u00a0M., Al di l\u00e0 dell\u2019Olimpo<\/em>, Atene 2002.
\n\u2013 MATTINGLY, H., Historia<\/em> 10, 1961, 149-150.
\n\u2013 MERITT, B. D. \u00a0\u2013 WADE-GERY, H. T., \u2018The Dating of Documents to the Mid-Fifth Century – II\u2019, JHS<\/em> 83, 1963, 100-117.
\n\u2013 MOLONEY, E.P., \u2018Philippus in acie tutior quam in teatro fuit<\/em>… (Curtius 9.6.25): The Macedonian kings and Greek theatre\u2019, in E. Csapo – H.R. Goette – J.R. Green – P. Wilson (eds.), Greek Theatre in the Fourth Century BC, Berlin – Boston 2014, 231-248.
\n\u2013 OLIVA, A., \u2018Agoni sportivi e musicali nell\u2019Anabasi<\/em> di Arriano\u2019, Nikephoros<\/em> 6, 1993, 93-104,
\n\u2013 OSBORNE, J.,\u00a0Naturalization in Athens<\/em>, Voll. III-IV, Brussel 1983.
\n\u2013 PITTAKYS, K. S., L’ancienne Ath\u00e9nes<\/em>, Athens 1835.
\n<\/span>\u2013 RAUBITSCHEK, A. E., Dedications on the Athenian Akropolis<\/em>, Cambridge, Mass. 1949.\u2013 SQUILLACE,G., \u2018Alessandro e l\u2019offerta ad Atena di trecento panoplie\u2019, Miscellanea di Studi Storici<\/em> 9, 1992-1994, 9-20.
\n\u2013 REISCH, E., De musicis Graecorum certaminibus,<\/span><\/em> Diss., Wien 1885.<\/span>
\n\u2013 SHEAR, T. L. Jr., \u2018The Athenian Agora: Excavations of 1971\u2019, Hesperia <\/em>42\/2, 1973, 121-179.
\n\u2013 SQUILLACE, G., \u0392\u03b1\u03c3\u03b9\u03bb\u03b5\u1fd6\u03c2 \u1f22 \u03c4\u03cd\u03c1\u03b1\u03bd\u03bd\u03bf\u03b9. Filippo II e Alessandro Magno tra opposizione e consenso<\/em>, Soveria Mannelli 2004.
\n\u2013 SQUILLACE, G., \u2018La maschera del vincitore. Strategie propagandistiche di Filippo II e Alessandro Magno nella distruzione di citt\u00e0 greche\u2019, Clio <\/em>93, 2011\/2, 308-321.
\n\u2013 SQUILLACE, G., \u2018Dedica del tempio di Atena Polias<\/em> a Priene da parte di Alessandro Magno\u2019, Axon<\/em> 2\/2, 2018, 161-166.
\n\u2013 TRITLE, L. A., \u2018Alexander and the Greeks. Artists and Soldiers, Friends and Enemies\u2019, in Alexander the Great. A New History<\/em>, ed. by W. Heckle and L. A. Tritle, Chichester, UK 2009, 121-140.
\n\u2013 WILSON, P., The Athenian Institution of the Khoregia: The Chorus, the City and the Stage, <\/em>Cambridge-New York 2000.
\n\u2013 ZALESKI, J., \u2018Religion and Roman Spectacle\u2019, in P. Christesen – D.G. Kyle (edd.), A Companion to Sport and Spectacle in Greek and Roman Antiquity<\/em>, Chichester, UK 2014, 590-602.<\/p>\n<\/div>

<\/div><\/div><\/div><\/div><\/div><\/div>
<\/div><\/div>

SITOGRAPHY<\/strong><\/p><\/h3><\/div>

Network for the Study of Archaic and Classical Greek Song:
\nhttps:\/\/sites.rutgers.edu\/greeksong\/<\/a><\/p>\n

MOISA: International Society for the Study of Greek and Roman Music & Its Cultural Heritage:
\nhttps:\/\/www.moisasociety.org\/it\/<\/a><\/p>\n

Searchable Greek Inscriptions. The Packard Humanities Institute:
\nhttps:\/\/epigraphy.packhum.org\/<\/a><\/p>\n

Folkloricum. Archive for Ancient Folklore:
\nhttps:\/\/www.folkloricum.it\/<\/a><\/p>\n<\/div><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1852","page","type-page","status-publish","hentry"],"yoast_head":"\nBibliography and sitography - Secoli di Mezzo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.secolidimezzo.com\/en\/bibliography-and-sitography\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Bibliography and sitography - Secoli di Mezzo\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.secolidimezzo.com\/en\/bibliography-and-sitography\/\" \/>\n<meta property=\"og:site_name\" content=\"Secoli di Mezzo\" \/>\n<meta property=\"article:modified_time\" content=\"2026-01-22T18:06:38+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"16 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.secolidimezzo.com\/en\/bibliography-and-sitography\/\",\"url\":\"https:\/\/www.secolidimezzo.com\/en\/bibliography-and-sitography\/\",\"name\":\"Bibliography and sitography - 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