To facilitate the usability of specialized research results, the team of researchers has prepared a bibliography, divided by topic, that redirects users to the most important studies and sites delving into the poetry and music of the 4th century B.C.

The section is constantly being updated.

– ATKINSON, J.E., A Commentary on Q. Curtius Rufus’ Historiae Alexandri Magni. Books 3 and 4, Amsterdam 1980, 173-174, 466-469.
– ATKINSON, J.E., Q. Curzio Rufo, Storie di Alessandro Magno, vol. I (Libri III-V), traduzione di V. Antelami, Milano 2003³ (1998¹), 38-41 (text), 304-310 (comment).
– BADIAN, E., ‘Greeks and Macedonians’, in B. BARR-SHARRAR – E.N. BORZA (eds.), Macedonia and Greece in Late Classical and Early Hellenistic Times, Washington 1982, 33-51.
– BARKER, A. (ed. and tr.), Greek Musical Writings, Vol. I: The Musician and his Art, Cambridge 1984.
– BÉLIS, A., ‘Mauvaise musique‚ mauvaises mœurs’, in F. MALHOMME – A.-G. WERSINGER (edd.), Mousikè et aretè: La musique et l’éthique de l’Antiquité à l’âge moderne, Paris 2007, 77-86.
– BURY, R.G., transl. by, Plato. Laws, Volume I: Books 1-6, Cambridge (MA) 1926.
– CARRIÈRE, J.-C. – CUVIGNY, M. (eds), Plutarque, Oeuvres morales, Tome XI, 2e partie: Traités 52 et 53, Préceptes politiques (Carrière), Sur la monarchie, la démocratie, l’oligarchie (Cuvigny), Paris 1984, 148-157.
– COMOTTI, G. (saggio introduttivo di) – BALLERIO R. (trad. e note di), Plutarco. La musica , Milano 2000.
– D’ANGOUR, A., The Greeks and the New: Novelty in Ancient Greek Imagination and Experience, Cambridge-New York 2011.
– DELATTRE, D. (éd.), Philodème de Gadara. Sur la Musique. Livre IV , Paris 2007.
– FOUCART, P., ‘Étude sur Didymos d’après un papyrus de Berlin’, in Mémoires de l’Institut national de France, tome 38, 1ᵉ partie, Paris 1909, 27-218.
– GERNET, L. (éd.), Antiphon. Discours , Paris 1923 (repr. 1965).
– GOSTOLI, A. – ZIMMERMANN, B. (edd.), Nuove volute di versi. Poesia e musica nella commedia greca di V e IV sec. a. C., Göttingen 2022.
– HARDING, P. (ed., trans.), Didymos: On Demosthenes, Oxford 2006.
– LELLI E. – PISANO G. (edd.), Plutarco. Tutti i Moralia, Milano 2017.
– LEVEN, P., The Many-Headed Muse. Tradition and Innovation in Late Classical Greek Lyric Poetry , Cambridge 2014.
– MAIDMENT, K.J., On the Choreutes, Minor Attic orators, vol. I, Cambridge 1941-1954.
– MARI, M., Al di là dell’Olimpo, Atene 2002.
– MORETTI, L., Iscrizioni agonistiche greche, 1953.
– OPPERMANN, H. (ed.), Aristotelis Ἀθηναίων Πολιτεία, Leipzig 1928 (repr. 1968).
– RHODES, P.J., A commentary on the Aristotelian Athenaion Politeia, Oxford 1981.
– RIGINOS, A.S., ‘The Wounding of Philip II of Macedon: Fact and Fabrication’, JHS 114, 1994, 103-119.
– ROCCONI, E., Le parole delle Muse: la formazione del lessico tecnico musicale nella Grecia antica, Roma 2003.
– ROLFE, J.C., Quintus Curtius Rufus, in two volumes, vol. I: Books I-V, Cambridge, Mass. USA 1946.
– VEGETTI, M. (trad. e comm.), Platone. La Repubblica , Vol. II, libri II e III, Napoli 1998.
– VISCONTI, A., Aristosseno di Taranto: biografia e formazione spirituale, Naples 1999.
– WEST, M.L., Ancient Greek Music, Oxford 1992.
– ZADRO, A., C. Giarratano, F. Adorno, trad. di, Platone. Opere complete , Vol. VII (Minosse, Leggi, Epinomide), Roma-Bari 2001⁵.

– BULTRIGHINI, U., “Maledetta democrazia”. Studi su Crizia, Alessandria 1999.
– BURZACCHINI, G., ‘Remarques sur quelques fragments élégiaques de Critias’, in J. Ivonneau (ed.), La Muse au long couteau. Critias, de la création littéraire au terrorisme d’état, Bordeaux 2018, 35-59.
– CADIOU, R., ‘Critias élégiaque’, BAGB 1, 1966, 121-123.
– COMOTTI, G., ‘L’endecacordo di Ione di Chio’, QUCC 13, 1972, 54-61.
– CONDELLO, F., ‘Sul sigillo di Crizia (fr. 5 W.2 = 3 Gent.-Pr.2), QS 38/76, 2012, 165-185.
– FONGONI, A., ‘Influenze del ‘Nuovo Ditirambo’ sull’elegia di V-IV secolo a.C.: Ion fr. 1 Gent.-Pr. (= 89 Leurini)’, ARF 16, 2014, 121-131.
– GARZYA, A., ‘Osservazioni sulla lingua di Crizia’, Emerita 20, 1952, 402-412.
– GENTILI, B. – PRATO, C. (edd.), Poetae Elegiaci. Testimonia et fragmenta. Pars altera, Monachii et Lipsiae 2002².
– GERBER, D.E., Greek Elegiac Poetry, II, Cambridge (Mass.)-London 1999.
– IANNUCCI, A., La parola e l’azione. I frammenti simposiali di Crizia, Bologna 2002.
– IANNUCCI, A., ‘Una “corona di giambi”. Ipotesi di lettura del fr. 2 Gent.-Pr. di Crizia’, SemRom 6, 2003, 31-42
– LAPINI, W., ‘I frammenti alcibiadei di Crizia: Crizia amico di Alcibiade?’, Prometheus 21, 1995, 1-14 e 111-130.
– LEURINI, A. (ed.), Ion Chius. Testimonia et fragmenta, Amsterdam 2000².
– LEVIN, F.R., ‘The Hendecachord of Ion of Chios’, TAPA 92, 1961, 295-307.
– NICOLOSI, A., ‘La poesia delle origini e il desiderio di restaurazione politica: l’elegia di Crizia tra tradizione letteraria e contemporaneità’, RCCM 66/2, 2024, 457-464.
– REINACH, Th., ‘Un fragment d’Ion de Chios’, REG 14, 1901, 8-19.
– TULLI, M., ‘La σφραγίς di Crizia’, QUCC 19,1985, 189-195
– VALERIO, F. (ed.), Ione di Chio. Frammenti elegiaci e melici, Bologna 2013.
– WESOLY, M., ‘«Lira dalle undici corde»: per l’interpretazione del fr. 5 G.-P. di Ione di Chio’, AIONFilol. 12, 1990, 89-98;
– WEST, M.L. (ed.), Iambi et Elegi Graeci ante Alexandrum cantati. Editio altera atque emendata, II, Oxonii 1998².
– VON WILAMOWITZ-MOELLENDORFF, U., ‘Lesefruechte’, Hermes 37, 1902, 302-314.

– ANGIÒ, F., ‘Nota su alcuni epiteti del delfino nella poesia greca’, Myrtia 28, 2013, 57-68.
– BERLINZANI, F., ‘Teleste di Selinunte il Ditirambografo’, Aristonothos 2, 2008, 109-140.
– BODENSTEINER, E., ‘Über coregische Weihinschriften’, in Commentationes philologicae conventui philologorum Monachii congregatorum oblatae, 1891, 38-92.
– BOTTIN, C., ‘Étude sur la chorégie dithyrambique en Attique jusqu’à l’époque de Démétrius de Phalère (308 avant J.-C.)’, Rev. Belg. Philol. Hist. 9, (3-4), 1930, 749-782.
– CAMPBELL, D.A. (ed. and tr.), Greek Lyric. Vol. 5: The New School of Poetry and Anonymous Songs and Hymns , Cambridge, MA 1993.
– CARRARA P., ‘Poliido di Selimbria. Qualche precisazione sulla sua opera’, Prometheus 46, 2020, 115-116.
– DELLA BONA, M.E., ‘L’allestimento dei cori negli agoni ateniesi tra V e IV secolo: l’esempio delle Targelie’, FAEM n.s. 6.2, 2024, 63-95.
– ERCOLES, M., ‘L’inno a Poseidone attribuito ad Arione (PMG 939)’, Paideia 64, 2009, 303-368.
– FONGONI, A. (ed.), Filoxeni Cytherii. Testimonia et fragmenta, Pisa-Roma 2014.
– GOSTOLI, A. (ed.), Terpander, Romae 1990.
– HORDERN, J.H., The Fragments of Timotheus of Miletus, Oxford 2002.
– IERANÒ, G., Il ditirambo di Dioniso. Le testimonianze antiche, Pisa-Roma 1997.
– IERANÒ, G., ‘“One who is Fought over by all the Tribes”: The Dithyrambic Poet and the City of Athens’, in B. Kowalzig-P. Wilson (eds.) Dithyramb in Context, Oxford, 2013, 368-386.
– LEVEN, P., ‘Timotheus’ Eleven Strings: A New Approach (PMG 791.229-236)’, CPh 106, 2011, 245-254.
– PAGE, D.L. (ed.), Poetae Melici Graeci, Oxford 1983⁴.
– POWER, T., ‘Kyklops kitharoidos. Dithyramb and Nomos in Play’, in P. WILSON – B. KOWALZIG (edd.), Dithyramb in Context, Oxford 2013, 237-256.
– PRITCHARD, D.M., ‘Kleisthenes, Participation, and the Dithyrambic Contests of Late Archaic and Classical Athens’, Phoenix 58, 3/4, 208-228.
– PRIVITERA, G.A., ‘Il ditirambo fino al IV secolo’, in AA.VV., Storia e civiltà dei Greci, vol. 5, Milano 1979, 311-325.
– VON WILAMOWITZ-MOELLENDORFF, U. (ed.), Timotheos. Die Perser , Leipzig 1903.

R. KASSEL – C. AUSTIN (edd.), Poetae Comici Graeci, VII: Menecrates-Xenophon, Berolini-Novi Eboraci 1989, 758-759; K. APOSTOLAKIS, Timocles. Introduction, Translation, Commentary, Fragmenta Comica 21, Göttingen 2019, 52-67.
– AMOUROUX, I., Antiphane et les themes de la comedie moyenne, Thèse de doctorat, Université Paul-Valéry-Montpellier 1995.
– APOSTOLAKIS, K., Timocles. Introduction, Translation, Commentary, Fragmenta Comica 21, Göttingen 2019.
– ARNOTT, W., G. Menander, II, Cambridge, MA 1996.
– AUSTIN, C., Menander: Eleven Plays, Cambridge 2013.
– BERNAYS, J., ‘Timokles und Lessing’, RhM 34, 1879, 615-616.
– BIANCO, O., ‘Il frammento della Ποίησις di Antifane ed un prologo anonimo’, RCCM 3, 1961, 91-98.
– BLANCHARD, A., Ménandre, III: Le Laboureur; La Double Tromperie; Le Poignard; L’Eunuque; L’Inspirée; Thrasyléon; Le Carthaginois; Le Cithariste; Le Flatteur; Les Femmes qui boivent la ciguë; La Leucadienne; Le Haï; La Périnthienne, Paris 2016.
– CSAPO, E. – SLATER, W.J., The Context of Ancient Drama, Ann-Arbor-Michigan 1995.
– CSAPO, E. – WILSON, P., A social and economic history of the theatre to 300 BC. Vol. II. Theatre beyond Athens: documents with translation and commentary , Cambridge 2020.
– DEL CORNO, D., ‘Come si deve fare una commedia: programmi e polemiche nel teatro Ateniese’, in F. CONCA (ed.), Ricordando Raffaele Cantarella: miscellanea di studi, Quaderni di Acme 36, Bologna 1999, 119-133.
– DOBROV, G.W. – URIOS-APARISI, E., ‘The Maculate Music: Pherecrates and Comedy’s Evolving Response to the Dithyramb’, in G.W. DOBROV (ed.), Beyond Aristophanes. Transition and Diversity in Greek Comedy , Atlanta 1995, 164-174.
– FRANCHINI, E., Krapataloi-Pseudherakles (frr. 85-163) / Ferecrate. Introduzione, traduzione, commento, con la collaborazione di Michele Napolitano (fr. 155) , Göttingen 2020.
– GIANNOU, T., ‘Theatre and Music in Classical and Hellenistic Macedonia’, Logeion 6, 2016, 30-92.
– GOMME, A.W. – SANDBACH, F.H., Menander. A Commentary , Oxford 1973.
– HALLIWELL, S., ‘Learning from Suffering: Ancient Responses to Tragedy’, in J. Gregory (ed.), A Companion to Greek Tragedy, Malden (Mass.) 2005, 394-412.
– HANINK, J., ‘Literary Evidence for New Tragic Production: The View from the Fourth Century’, in E. CSAPO – H.R. GOETTE – J.R. GREEN – P. WILSON (eds.), Greek Theatre in the Fourth Century B.C., Berlin-Boston 2014, 189-206.
– KASSEL, R., Untersuchungen zur griechischen und römischen Konsolationsliteratur, München 1958.
– KASSEL, R. – AUSTIN, C., Poetae Comici Graeci, VII: Menecrates-Xenophon, Berolini-Novi Eboraci 1989.
– KASSEL, R. – AUSTIN, C., Poetae Comici Graeci, II: Agathenor-Aristonymus, Berolini-Novi Eboraci 1991.
– KONSTANTAKOS, I.M., ‘This Craft of Comic Verse: Greek Comic Poets on Comedy’, Archaiognosia 12, 2004, 11-53.
– MARTINA, A., Menandrea. Elementi e strutture della commedia di Menandro , III, Pisa-Roma 2016.
– NAVARRO MARTÍNEZ, V.L., ‘Comedia vs. Tragedia: el fragmento 189 K.-A. de Antífanes y la banalización del género trágico’, in M.F. SILVA – M.C. FIALHO – J.L. BRANDÃO (edd.), O Livro do Tempo: Escritas e reescritas. Teatro Greco-Latino e a sua recepção , I, Coimbra 2016, 245-256.
– NÜNLIST, R., ‘Nr. 4642,’ The Oxyrhynchus Papyri 68, 2003, 28-32.
– OLSON, S.D., Broken Laughter: Select Fragments of Greek Comedy. Edited with Introduction, Commentary, and Translation, Oxford 2007.
– OLSON, S.D., Antiphanes. Zakynthios-Progonoi. Translation and Commentary, Fragmenta Comica 19.2, Göttingen 2022.
– ORNAGHI, M., ‘Paradigmi condivisi o coincidenze tragiche?: Il fr. 6 K.-A. di Timocle e la Poetica di Aristotele’, GIF 72, 2020, 87-110.
– PICKARD, A.W. – CAMBRIDGE, M.A, Le feste drammatiche di Atene, trad. it. di A. Blasina, Firenze 1996.
– POHLENZ, M. ‘Die Anfänge der griechischen Poetik’, NGG, 1920, 142-178.
– RECCHIA, M., ‘Beffeggiare il musicista: auleti e citarodi di V-IV secolo nella commedia attica’, in A. GOSTOLI – B. ZIMMERMANN (edd.), New verse volutes: poetry and music in fifth- and fourth-century BCE Greek comedy. , Göttingen 2022, 173-198.
– REINHARDT, U., Mythologische Beispiele in der Neuen Komödie (Menander, Plautus, Terenz), I, Diss. Mainz 1974.
– ROSEN, R.M., ‘Timocles’ fr. 6 K-A and the Parody of Greek Literary Theory’, in C.W. Marshall, G. Kovacs (edd.), No Laughing Matter: Studies in Athenian Comedy, London 2012, 177-186.
– ROSTAGNI, A., ‘Da Aristofane e da Antifane ad Aristotele’, in Studi in onore di Gino Funaioli, Roma 1955, 60-75.- SANCHIS LLOPIS, J.L. , ‘Testimonios polémicos de la tragedia postclásica en la comedia del s. IV a. C.’, in Primeras Jornadas Internacionales de Teatro Griego, Valencia 1995, 75-90.
– STEPHANES, I.E., Dionysiakoi technitai, Herakleio 1988.
– WILSON, P., The Athenian Institution of the Khoregia, Cambridge 2000.
– WILSON, P., The Greek Theatre and Festivals: Documentary Studies, New York 2007.

– BÉLIS, A.,‘Un papyrus musical inédit au Louvre’, CRAI 148/3, 2004, 1305-1329.
– BORTHWICK, E.K, ‘Some Problems in Musical Terminology’, CQ 17, 1967, 145-157.
– CSAPO, E., ‘The Politics of the New Music’, in P. MURRAY – P. WILSON (edd.), Music and the Muses: The Culture of Mousike in the Classical Athenian City, Oxford 2004, 207-248.
– D’ANGOUR, A., ‘“Old” and “New” Music. The Ideology of Mousikē’, in T.A.C. LYNCH – E. ROCCONI (edd.), A Companion to Ancient Greek and Roman Music, Newark 2020, 409-420.
– ERCOLES, M., ‘ ‘Nuova Musica’ e agoni poetici. Il dibattito sulla musica nell’Atene classica’, in A. GOSTOLI (ed.), Poeti in agone: competizioni poetiche e musicali nella Grecia antica, Turnhout 2017, 131-162.
– GASTALDI, S., La «teatrocrazia»: cattiva educazione e degenerazione politica nelle “Leggi” di Platone, in Filosofia e politica: studi in onore di Girolamo Cotroneo, G. FURNARI LUVARÀ (ed.), Soveria Mannelli 2005, 159-171.
– GIANI, M., ‘«Scala musica». Vicende di una metafora’, in F. NICOLODI – P. TROVATO (edd.), Le parole della musica, III, Firenze 1994, 31-48.
– HADJIMICHAEL, T.A., ‘On Kinesias’ Musicopoetic Paranomia’, GRMS 7/2, 2019, 284-307.
– LEVEN, P., ‘Musical Crisis: Representing Competition and Musical Judgment in Anecdotes’, Rudiae 22-23, 2010-2011, 679-692.
– MAAS, M., ‘Polychordia and the Fourth-Century Greek Lyre’, The Journal of Musicology 10, 1992, 74-88.
– MARTINELLI, M.C., ‘Una nuova Medea in musica: P.Louvre inv. E 10534 e la Medea di Carcino’, in M.S. CELENTANO (ed.), Ricerche di metrica e musica greca per Roberto Pretagostini, Alessandria 2016, 61-76.
– POWER, T., ‘Ion of Chios and the Politics of Polychordia’, in V.J. JENNINGS – A.K. KATSAROS (edd.), The World of Ion of Chios, Leiden-Boston 2007, 179-205.
– RAFFA, M., ‘Suonare la parola, pronunciare la melodia: l’aulós come ‘doppio’ strumentale’, Il Saggiatore musicale 15/2, 2008, 175-197.
– RESTANI, D., ‘Il Chirone di Ferecrate e la ‘nuova’ musica greca’, Rivista Italiana di Musicologia 18/2, 1983, 139-192.
– ROCCONI, E.,’Terminologia dello ‘spazio sonoro’ negli Elementa Harmonica di Aristosseno di Taranto’, QUCC n.s. 61, 1999, 93-103.
– WEBSTER, T.B.L., ‘Fourth Century Tragedy and the Poets’, Hermes 82, 1954, 294-308.
– WEST, M.L., ‘Analecta Musica’, ZPE 192, 1992, 23-28.
– WEST, M.L., ‘A New Musical Papyrus: Carcinus, Medea’, ZPE 161, 2007, 1-10.

– AMANDRY, P., ‘Trépieds d’Athenes: I. Dionysies’, BCH 100, 1977, 15-93.
– AMANDRY, P., ‘Trépieds d’Athenes: II. Thargélies’, BCH 101, 1977, 165-202.
– BARRON, J. P., ‘The Fifth-Century Horoi of Aigina’, JHS 103, 1983, 1-12.
– BLOEDOW, E. F., ‘The Significance of the Greek Athletes and Artists at Memphis in Alexander’s Strategy after the Battle of Issus’, QUCC 59.2, 1998, 129-142.
– BOSWORTH, A. B. , ‘Alexander and Ammon’, in K. H. Kinzl (ed.), Greece and the Eastern Mediterranean in Ancient History and Prehistory. Studies Presented to Fritz Schachermeyr on the Occasion of His Eightieth Birthday, Berlin-New York 1977, 51-75.
– COLLINS, A., ‘Alexander’s Visit to Siwah: A New Analysis’, Phoenix 68/1-2, 2014, 62-77.
– CSAPO, E. – WILSON, P., A social and economic history of the theatre to 300 BC. Vol. II. Theatre beyond Athens: documents with translation and commentary. Cambridge 2020;  – DAVIES, J.K., Athenian Propertied Families. 600-300 BC, Oxford 1971.
– DAVIES, J. K., Athenian Propertied Families. 600-300 BC, Oxford 1971.
– DUNKLE, R., ‘Overview of Roman Spectacle’, in P. Christesen – D.G. Kyle (edd.), A Companion to Sport and Spectacle in Greek and Roman Antiquity, Chichester, UK 2014, 381-394.
– FAURE, P., La vita quotidiana degli eserciti di Alessandro Magno, Milano 1993 (ed. or. 1982).
– HAMMOND, N. G. L., The Macedonian State. The Origins, Institutions and History, Oxford 1989.
– IERANÒ, G., Il ditirambo di Dioniso. Le testimonianze antiche, Pisa-Roma 1997.
– LE GUEN, B., ‘Theatre, Religion and Politics at Alexander’s Travelling Royal Court’, in Great Theatre in the Fourth Century B.C., ed. by E. Csapo, H. Rupprecht Goette, J. R. Green, P. Wilson, Berlin – Boston 2014, 249-274.
– LEWIS, D.M., ‘Notes on Attic Inscriptions (II): XXIII. Who Was Lysistrata?’, BSA 50, 1955, 1-36.
– LEWIS, D. M., ‘The Dedication of Aristokrates’, JHS 84, 1964, 156-157.
– LINDSAY ADAMS, W., ‘Other People’s Games: The Olympics, Macedonia and Greek Athletics’, Journal of Sport History, 30.2, 2003, 205-217.
– LINDSAY ADAMS, W., ‘Sport Spectacle and Society in Ancient Macedonia’, in A Companion to Sport and Spectacle in Greek and Roman Antiquity, ed. by P. Christesen and D. G. Kyle, Chichester, UK 2014, 332-345.
– MARI, M., ‘Le Olimpie macedoni di Dion tra Archelao e l’età romana’, RFIC 126, 1998, pp. 137-169.
– MARI, M., Al di là dell’Olimpo, Atene 2002.
– MATTINGLY, H., Historia 10, 1961, 149-150.
– MERITT, B. D.  – WADE-GERY, H. T., ‘The Dating of Documents to the Mid-Fifth Century – II’, JHS 83, 1963, 100-117.
– MOLONEY, E.P., ‘Philippus in acie tutior quam in teatro fuit… (Curtius 9.6.25): The Macedonian kings and Greek theatre’, in E. Csapo – H.R. Goette – J.R. Green – P. Wilson (eds.), Greek Theatre in the Fourth Century BC, Berlin – Boston 2014, 231-248.
– OLIVA, A., ‘Agoni sportivi e musicali nell’Anabasi di Arriano’, Nikephoros 6, 1993, 93-104,
– OSBORNE, J., Naturalization in Athens, Voll. III-IV, Brussel 1983.
– PITTAKYS, K. S., L’ancienne Athénes, Athens 1835.
– RAUBITSCHEK, A. E., Dedications on the Athenian Akropolis, Cambridge, Mass. 1949.– SQUILLACE,G., ‘Alessandro e l’offerta ad Atena di trecento panoplie’, Miscellanea di Studi Storici 9, 1992-1994, 9-20.
– REISCH, E., De musicis Graecorum certaminibus, Diss., Wien 1885.
– SHEAR, T. L. Jr., ‘The Athenian Agora: Excavations of 1971’, Hesperia 42/2, 1973, 121-179.
– SQUILLACE, G., Βασιλεῖς ἢ τύραννοι. Filippo II e Alessandro Magno tra opposizione e consenso, Soveria Mannelli 2004.
– SQUILLACE, G., ‘La maschera del vincitore. Strategie propagandistiche di Filippo II e Alessandro Magno nella distruzione di città greche’, Clio 93, 2011/2, 308-321.
– SQUILLACE, G., ‘Dedica del tempio di Atena Polias a Priene da parte di Alessandro Magno’, Axon 2/2, 2018, 161-166.
– TRITLE, L. A., ‘Alexander and the Greeks. Artists and Soldiers, Friends and Enemies’, in Alexander the Great. A New History, ed. by W. Heckle and L. A. Tritle, Chichester, UK 2009, 121-140.
– WILSON, P., The Athenian Institution of the Khoregia: The Chorus, the City and the Stage, Cambridge-New York 2000.
– ZALESKI, J., ‘Religion and Roman Spectacle’, in P. Christesen – D.G. Kyle (edd.), A Companion to Sport and Spectacle in Greek and Roman Antiquity, Chichester, UK 2014, 590-602.

Network for the Study of Archaic and Classical Greek Song:
https://sites.rutgers.edu/greeksong/

MOISA: International Society for the Study of Greek and Roman Music & Its Cultural Heritage:
https://www.moisasociety.org/it/

Searchable Greek Inscriptions. The Packard Humanities Institute:
https://epigraphy.packhum.org/

Folkloricum. Archive for Ancient Folklore:
https://www.folkloricum.it/